I've been on the look-out for a Sci-Fi movie series a to get involved with. I wanted a side-project and after coming across a few old books I read and a few movies, I decided on the Space Opera theme. Lots of scope for over-the-top thematic music, a bit of rock and some atmosphere.
New Haven
I picked the New Haven project (previously known as Ticonderoga) as it fitted everything I was looking for out of a side-project. This had to fit alongside the normal jobs and projects. read more »
Another Showreel - this time for sci-fi projects
A short collection of mp3s forming the basis of several sci-fi themes.
Status
Just a short note. These tracks are currently unfinished. If a client decides they're the right style for their project, then they'll move up the list and become a much higher priority. Until then, I'll move them along in line with other priorities. read more »
Episode 1 of Venn has been released. View the episode online for free. read more »
However, I love putting an ordinary audio track through a plug-in and working through the presets, especially those presets that it's not designed for. read more »
Mention an octaver to a musician, especially a guitarist, and you're heading for a conversation about Hendrix.
It can be used for other styles. So here's a quick trick for writing funk. Forget the bass when you start. I half-expected to get lynched, but bear with me, at least until the end.
Background
I like the old P-funk of Funkadelic and Parliament. I think what made me hear it more was the inclusion of a distorted guitar in a funk show. This was often played in sync with the bass guitar.
Setting the groove read more »
I've talked about tremolo as a musical feature before, this time I want to go into more detail.
First things first, let's sort out the guitarists: I don't mean using the tremolo arm/whammy bar or whatever you want to call it ("handle" as my girlfriend called it - and no she won't be picking up my guitars for a while). The whammy bar creates a vibrato feature, not a tremolo. Vibrato alters pitch.
Amplitude read more »
13. Meet Other people
13a avoid being recluse
Composing music can be a solitary activity. For some that works, for others it can be a lonely experience. Whatever the perspective, it can quickly turn into isolation. Collaborating with others reduces the isolation.
13b friends
I've met most of my best friends through music and music-related activities. Some of the people I met as acquaintances have turned into good friends over time. read more »
Even arranging a loan with your bank manager is a form of collaboration. Ok, it's a purchase of a product by you from them, but if responsible, then the bank should be acting in partnership with you. I'm working on a few projects where I can see finances becoming an issue in the medium term. I could also see a few of the project members funding their own areas. None could fund the whole project, but as each could fund their own area, the project could still work. It's like pooling resources but more controlled.
8. Opportunities read more »
4a Fresh Pair of Ears
A producer should remain distant enough from the in-depth recording process to be able to bring a fresh opinion. Their view can suggest new directions or, at least, a validation of the current direction.
4b Motivation read more »