Award Sounds Music, Photography and Consultancy

Compressors are regularly used to tame errant dynamics or to increase the perceived volume of a track. As well as squashing the audio, the compressor can be used to bring out some elements more than others.

Letting the attack through  read more »

Mention an octaver to a musician, especially a guitarist, and you're heading for a conversation about Hendrix.

It can be used for other styles. So here's a quick trick for writing funk. Forget the bass when you start. I half-expected to get lynched, but bear with me, at least until the end.

Background

I like the old P-funk of Funkadelic and Parliament. I think what made me hear it more was the inclusion of a distorted guitar in a funk show. This was often played in sync with the bass guitar.

Setting the groove  read more »

I've talked about tremolo as a musical feature before, this time I want to go into more detail.

First things first, let's sort out the guitarists: I don't mean using the tremolo arm/whammy bar or whatever you want to call it ("handle" as my girlfriend called it - and no she won't be picking up my guitars for a while). The whammy bar creates a vibrato feature, not a tremolo. Vibrato alters pitch.

Amplitude  read more »

13. Meet Other people

13a avoid being recluse

Composing music can be a solitary activity. For some that works, for others it can be a lonely experience. Whatever the perspective, it can quickly turn into isolation. Collaborating with others reduces the isolation.

13b friends

I've met most of my best friends through music and music-related activities. Some of the people I met as acquaintances have turned into good friends over time.  read more »

Even arranging a loan with your bank manager is a form of collaboration. Ok, it's a purchase of a product by you from them, but if responsible, then the bank should be acting in partnership with you. I'm working on a few projects where I can see finances becoming an issue in the medium term. I could also see a few of the project members funding their own areas. None could fund the whole project, but as each could fund their own area, the project could still work. It's like pooling resources but more controlled.

8. Opportunities  read more »

4a Fresh Pair of Ears

A producer should remain distant enough from the in-depth recording process to be able to bring a fresh opinion. Their view can suggest new directions or, at least, a validation of the current direction.

4b Motivation  read more »

A short series of articles on collaborating with other people to make your music better, make it heard or to help them move their music forwards.

1. Recording

1a Engineer  read more »

I said in the previous article that I'd provide details of my most common composing workflows.

Sync to video Soundtrack  read more »

Create a random part and modify it until it becomes musical. I'll describe a few options for taking a random parts and the processes I use for making them more musical.

1. Creating the randomness

I set Logic on a 4 bar cycle and hit keys at random on my keyboard. I chose a clean electric piano sound since they highlight any dissonance. It's not truly random because it's difficult to unlearn how to play, but after cycling through the 4 bars a few times it did become a mess of notes.  read more »

As well as composing and recording, I play guitar in a band, playing a mixture of covers and our own originals. We don't stick too closely to the originals when we cover them, realising that we only have four members (guitar, bass, drums and vocals) so many songs have to be stripped down to work.

Going from a song that has many parts to a cover version with only four instruments can leave you feeling a bit naked when playing live. It doesn't help that as guitarist, I often have to play several parts at the same time.  read more »