Award Sounds

I've been writing the series of articles on Musical Creativity and how to overcome composer's block for a while now and I'm always curious about the creativity part of it. No matter how well I prepare a composition, some of the best compositions become better by improvising a new melody.

Dr Charles Limb's research into the brain's activity during jamming and improvisation is enlightening.

Sometimes it's easy to get lost in more complicated structures and then a song brings back the joy of a simple structure. A lot of pop/rock songs have been based around three chords, hey some popular songs had only two. That should be no surprise. I'd expect most readers to already know that.

But when was the last time you wrote a song using just three chords?

So you've got Kontakt to work with Logic and now one of the instruments is a bit too loud in one section so you want to automate.

Great, reduce the volume (using track automation in arranger) for that instrument. Only thing is, one of two things happens:

1. All of Kontakt's instruments change volume
2. None of Kontakt's instruments change volume

There is a way to control each instrument separately. It takes a bit of setup, but once it's done, it will soon become second nature.

Templates

I'm glad that Kontakt and Logic work together. I just wish it were easier.

Versions

The upgrade to Logic 8 has helped a lot. For me, the Logic upgrade was a no-brainer. I waited a couple of moths to see what the bug reports were coming through, then took the plunge. Regardless of how it interacts with Kontakt, the Logic upgrade was worth it. If you include the tighter integration, then it becomes even better.

Templates

I like it when something just works, but I always feel a bit ambivalent when I can't really notice it working.

The Kit

In this case, I've just been using the Radial Engineering Reamping Kit. It consists of two main components (the J48 active phantom DI and the X-Amp amp driver) plus a power supply for the X-amp and a plastic box to hold it all in.

Plugging In for Re-Amping

Mention an octaver to a musician, especially a guitarist, and you're heading for a conversation about Hendrix.

It can be used for other styles. So here's a quick trick for writing funk. Forget the bass when you start. I half-expected to get lynched, but bear with me, at least until the end.

Background

I like the old P-funk of Funkadelic and Parliament. I think what made me hear it more was the inclusion of a distorted guitar in a funk show. This was often played in sync with the bass guitar.

Setting the groove

I've recently received the video for the 1st episode of Venn (the previous release was a pilot and called Episode 0)

Again the episode is by Spinneyhead Presents. Episode 1 picks up from that and plays on the theme of the celibacy bet. The content is better than Episode 0, the scripts are better and from my perspective, the audio is so much better. It's definitely better than the first series, Memory.

I've talked about tremolo as a musical feature before, this time I want to go into more detail.

First things first, let's sort out the guitarists: I don't mean using the tremolo arm/whammy bar or whatever you want to call it ("handle" as my girlfriend called it - and no she won't be picking up my guitars for a while). The whammy bar creates a vibrato feature, not a tremolo. Vibrato alters pitch.

Amplitude

A short series of articles on collaborating with other people to make your music better, make it heard or to help them move their music forwards.

1. Recording

1a Engineer

Take an old track and change the style of it.

I'm amazed how many tracks can be given more life by changing the style of music. I pick tracks that I've never fully finished to my satisfaction and apply a different musical style to them.

Identify the original style

What's wrong with the original track?